Although he looks down upon the washerwoman as being socially inferior, he feels gratified by her sexual advances and continues to see her merely so she can help him get a judge to read his paperwork. Kafka’s dark, gloomy airless settings in contribute to the overall idea that K. In chapter one, we learn that K.’s bedroom has two doors, one adjoining Mrs. It was difficult to open and he had to turn the handle with both his hands. In other words, by this point, there is no escape for him, which the settings of the novel have suggested all along. How does existentialism function in As a philosophy, existentialism decrees that individuals are responsible for what they do and for how they live in the world.
and becomes even more so when she informs him that she will start work at a law office. begins to feel ill as he realizes he is in a virtual prison: “there was no direct source of light . One morning in his office, “for no particular reason, just to avoiding returning to his desk for a while, he opened the window. Soon after, at Titorelli’s, when the temperature soars, K. " but the artist tells him "it's only a fixed pane of glass, it can't be opened" (76).
If, in the hermetic parable "The Doorkeeper," the man from the country is free to go away, why does he remain at the entrance to the Law?
Although not in the same league as some of the great literature that I've read over the years, Franz Kafka's "The Trial" is an evocative, engrossing novel, albeit, ultimately a frustrating one.
The type of justice that we take for granted in the States - burden of proof, the sovereignty of "innocence before proven guilty" - is an alien concept to the Court in Kafka's "The Trial." What makes it all the more frightening is that, not long after Kafka's death in 1924, this type of "justice" became commonplace in Eastern Europe.
This unfortunate reality makes "The Trial" a surrealistically prophetic novel, one of paramount importance and undeniable relevancy.To some, the court is a symbol of the Church as an imperfect bridge between a person and God.To others, the symbolism represents rather the search of a sensitive Jew for an elusive homeland, ever denied him.In the end however, "The Trial" is a frustrating experience.As other Amazon readers have pointed out, the alleged crime is never disclosed.Over the course of the coming days, weeks, and months, he becomes acquainted with others who have had dealings with, or who have tenuous relations with, the elusive Court. has no chance of winning his case without the help of others, who insist that the only way to help is behind closed doors, through the strength of their political ties, gradually convincing officials of K.'s innocence. is acquiescent at first, but becomes increasingly agitated and unpredictable when no apparent progress is being made.I leave the remainder of the plot to those who wish to experience it for themselves.The salvaging of this novel from the manuscript was not an easy task, however, and controversy still exists regarding the proper order of the chapters and about the placement and interpretation of a number of unfinished segments, which are not included in the usual editions.Fortunately, both the beginning and the end of the novel are extant and, because of the peculiar structure of the work, minor changes in the order of the sections do not alter a reader’s understanding of the work.The novel ends rather abruptly after the next chapter, "In the Cathedral." (One gets the feeling that the majority of the unfinished sections of the novel were between Chapters 9 and 10.) The reason behind Kafka's failure to finish the novel becomes apparent when reading the Appendix; Kafka abandoned "The Trial" in 1915, approximately nine years before his death, and as such never meant it for publication. Although we may never know how great this story could have been, we should feel fortunate to have it, even in unpolished form. Only those well-versed in ancient Judaic literature (anyone? A ruined businessman, Block is another of Huld’s clients. first encounters him in a compromising position with Leni, Huld’s young nurse. She watches him in the prison-like maid’s room, reports his behavior back to Huld, instructs him to placate Huld by kissing his hand, and praises him when he performs his tasks well—like a dog. is cut off and isolated from his fellow humans and is unable to forge satisfying human relationships.