This gives autumn a very real and concrete feeling that is important because although life starts out real as in stanza one, death will follow as a quiet, somewhat mysterious concept.
Some soft sounding words words that use consonant sounds that are soft when spoken such as an s -- include mists, close, son, bless, mossed, and trees.
There are also the hard sounding words words that use consonant sounds that are loud when spoken such as a b or t -- like maturing, round, thatch, and budding.
From the very beginning of "To Autumn, sound appears to be an important aspect of Keatss technique.
When the words are studied, there is an even mixture of loud and soft sounds.
Keats writes, "And full-grown lambs loud bleat from hilly-bourn.
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The whole line stands out very radically because it is almost all loud sounds, especially bleat, with its b and t along with the voiced long e vowel.
The third stanza somewhat follows the course set down by the previous two stanzas, but it also does something surprising.
One may predict that the third stanza becomes softer still, following the progression, yet it does not quite do so.
It does start according to prediction, very quiet and feathery, with words such as stubble-plains, rosy, wailful, sallows, and lives or dies.
This is generally very soft, which continues the progression, but there is a hitch.