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Naturally, as being the first outburst of the poetical genius of the nation, and also connected with the very commencement of the national life, it exerted the most important formative influence upon the later Hebrew poetic style, furnishing a pattern to the later lyric poets, from which they but rarely deviated.
It is, in the main, expansive and exegetical of the preceding stanza, going into greater detail, and drawing a contrast between the antecedent pride and arrogance of the Egyptians and their subsequent miserable fall. Kalisch rightly regards verses 6 and 7 as containing "a general description of God's omnipotence and justice," and notes that the poet only returns to the subject of the Egyptians in verse 8. It is remarkable as a departure from the general stately order of Hebrew poesy, and for what has been called its "abrupt, gasping" style.
This prophecy received a remarkable accomplishment when "it came to pass that all the kings of the Cannanites heard that the Lord had dried up the waters of Jordan from before the children of Israel, and their heart melted, neither was their spirit in them any more" (.
Some see in this an anticipation of the crossing of Jordan; but perhaps Moses meant no more than the crossing of the Canaanite frontier, in some place or other, which must take place if the urea was to be occupied.
The effect may, or may not, have been increased by the flow of the tide in the Red Sea Contain the third stanza of the first division of the ode.
It is short compared to the other two, containing merely a fresh ascription of praise to God, cast in anew form; and a repetition of the great fact which the poem commemorates—the Egyptian overthrow.